Published: 2024-03-23
Editor-in-Chief's Introduction to Issue 41
1-3
The Art of Interfaith: A Festschrift in Honor of Lucinda Mosher on Interreligious Engagement and the Arts
4-7
Music and Eschatology in Messiaen’s Quartet for the End of Time and the Tibetan Practice of gCod
8-19
Leonard Bernstein and Oswaldo Golijov on the Body and Blood of Christ
20-26
An Anglican Christian Comparative Theological Consideration of Chanting and Hymn-singing in Bhakti Hindu, Sikh, and Sufi Muslim Traditions
27-31
The Creative Processes Behind a Musical Composition on Interreligious Themes
32-48
Knitting Harmony in the Indonesian Context
49-61
An Interplay of Womanist and Shakta Traditions
62-70
Illustrating the Promise of the Third Space in the Aesthetic Dialogue of Nazrul Islam
71-89
Jewish and Christian Calligraphic Art and Comparative Theology
90-112
Beyond the World Religions Paradigm and the Religion/Culture Divide in Museums and Interreligious Studies
113-127
Through the Landscape of “Inter-” and “Religious”
128-137
180-187
American Muslims, American Service
138-147
148-151
152-157
Edited by Atalia Omer and Joshua Lupo
158-160
Edited by Lucinda Mosher, Elinor J. Pierce, and Or N. Rose
161-163
By Nadra Nittle
164-166
By Mary Beth Werdel
167-169
By Melissa M. Wilcox
170-172
By Pravina Rodrigues
173-175
By Aaron Rosen
176-177
178-179